Projection has traditionally been considered to have an unassailable advantage over other media when it comes to making any surface a digital canvas. From a shop window to the facade of a cathedral, projection has the edge – particularly when the latest projection mapping techniques are employed. Is that all about to change? After walking the halls at ISE 2020, Adrian Pennington considers recent advances in direct view LED and wonders if the gap has now narrowed.

According to AVIXA™, the global professional AV Industry will reach a staggering USD 325 billion in 2024. And 2020 started off quite well…  before we learned a new word: Covid-19, coronavirus.

Let’s start with a quick look at the reasoning behind the AVIXA numbers, published before coronavirus made the headlines. AVIXA’s “2019 AV Industry Outlook and Trends Analysis” states that the demand for pro-AV products and services is driven by a global rise in GDP (Gross Domestic Product), because the pro-AV industry provides solutions to almost all facets of the economy. The forecast shows that Asia-Pacific is overtaking the Americas as the largest revenue-producing region, while all markets globally will show growth. 

Every so often, we get technical questions related to vintage Dataton products, manufactured some 30-40 years ago. When we do, it's usually from enthusiasts who actually owned units "back in the day". So when the support team received a query from an up-and-coming, recently graduated, photographer about PAX slide control units and MIC3 controllers, we were curious, to say the least! 

We decided to find out why Roxanne Wilm, a  26-year old artist from the Netherlands, chooses slide projection as her medium in her project, ORDER I DISORDER. Read on…

As a media server operator and content manager, John Mims, J3Consulting.org, is the go-to guy for leading producers and brands in the US. In this blog, he looks at the role of the operator, and offers practical advice to ensure your next show runs even more smoothly. 

Have you been there? Done an event that starts at 6 am but doesn’t end until 3 or 4 am. Afterward, you go home, get some sleep, but you still have to get up at a reasonable time to function that day? Then you wake up feeling like you spent the night drinking way too much?

I call this the event hangover. It’s close to the same feeling as a hangover, but you missed the entire section of the night that was enjoying a few drinks and hanging out with friends.  There’s the headache, body aches, your feet hurt, and you don’t exactly remember what time you got home. Does any of this sound familiar?

As I do more and more shows each month with hours like this, I strive to avoid the event hangover as much as I can. Here are the tips and tricks I have found that help me avoid feeling terrible after a long event.

By Heather Holm writing for SoundGirls.org

This week Nevil Bounds talks to David Willrich, founder of DJW, and a well-known figure in the UK (and international) AV industry. DJW started out in 1986 as a consultancy business focused on museums and visitor parks. Today, the company’s portfolio includes hotels, museums, visitor parks and attractions. Recent DJW projects include the Museum of the Gateway Arch in St Louis, USA; the Qasr Al Hosn Fort in Abu Dhabi (pictured above) and the Strawberry Field Exhibition in Liverpool, UK. DJW also provided the award-winning immersive experiences at the iconic Titanic Belfast experience center in Northern Ireland.

Let's start by rewinding to 1985, when David Willrich was the AV manager at the UK’s National Motor Museum in Beaulieu, Hampshire, a pioneer in the attractions industry…

Are you thinking about becoming a professional media server operator or user, but aren't sure which skills you need? In the sixth blog in the series, we will dig into the world of displays!

These posts are based on recommendations from the fine people of the Media Server Professionals (Facebook) group.

Are you thinking about becoming a professional media server operator or user, but aren't sure which skills you need? This is blog number five in the series, and this time we're shining a light on 3D files, formats and projection mapping

These posts are based on recommendations from the fine people of the Media Server Professionals (Facebook) group.

Working in different countries among different cultures can be hard. Yet many in the entertainment industry dive in and end up touring shows, creating events and/or relocating to foreign countries to work as performers, technicians or managers. Anna Robb at TheatreArtLife lists some of her tips to alleviate cross-cultural challenges.

Are you thinking about becoming a professional media server operator or user, but aren't sure which skills you need? In the fourth instalment of this guide, we continue to explore content for media playback with a look at still-image formats. From compressed/lossy image formats to uncompressed/lossless formats to the age-old question, when do you need uncompressed?

As always, the content is based on recommendations from the fine people of the Media Server Professionals (Facebook) group.