NDI has unveiled a series of initiatives aimed at expanding its ecosystem, transforming the video industry, and promoting seamless interoperability between hardware, software, and cloud. With over 600,000 devices from companies like Panasonic, Sony, and BirdDog currently NDI-enabled, NDI is revolutionizing the way video is captured, shared, and accessed across various industries.
Putting together a media server show is often a collaboration between producers, content creators and show programmers. In an ideal world, everybody knows exactly what the others are doing and delivers the right content at the right time in the process. How can remote content improve collaboration and build a better show creation process? That's the question addressed in this article.
In this article we focus on three familiar concepts in the AV industry – remote content, content management solutions, media servers – and home in on their potential as a combined force. What kind of impact can remote content and management have on media servers, for both content and show creators? What are the challenges and, most importantly, what are the benefits?
But first, let's define the concepts…
Display technology has evolved from the early days where the only display you encountered was a TV, the monitor on your desktop computer or at the cinema, to something that is an integrated part of our daily lives. Displays literally surround us, but few of us reflect on their prevalence. Your car, fridge and coffee machine are most likely equipped with a display in addition to the classics: TV, mobile, laptop and projectors.
In this article we will look at trends for display technology in a number of industries: media and entertainment, automotive, surveillance and security, scientific research and visualization and mobile devices. Plus a skewed look into the digital cinema realm.
Have you considered becoming a professional media server operator or user? Unsure of what technical skills you need to become one? In the ninth blog in the series, we look at networked video and audio standards – a topic that seems hotter than ever these days.
Have you considered becoming a professional media server operator or user? Unsure of what technical skills you need to become one? In blog number eight in the series, we continue with the infrastructure and system setup, moving on to network standards and connectivity. So fetch a coffee and let’s go!
While virtual reality as a term has been around for quite some time, multiexperience, augmented reality and mixed reality are relatively new terms. But what do these technologies and terms encompass? And how will people-centric multiexperience impact the audio-visual business?
Interested in becoming a professional media server operator or user, but aren't sure which skills you need? In the seventh blog in this series, we focus on infrastructure and system setup, including connectivity and capturing content from external sources.
These posts are based on recommendations from the fine people of the Media Server Professionals (Facebook) group.
According to AVIXA™, the global professional AV Industry will reach a staggering USD 325 billion in 2024. And 2020 started off quite well… before we learned a new word: Covid-19, coronavirus.
Let’s start with a quick look at the reasoning behind the AVIXA numbers, published before coronavirus made the headlines. AVIXA’s “2019 AV Industry Outlook and Trends Analysis” states that the demand for pro-AV products and services is driven by a global rise in GDP (Gross Domestic Product), because the pro-AV industry provides solutions to almost all facets of the economy. The forecast shows that Asia-Pacific is overtaking the Americas as the largest revenue-producing region, while all markets globally will show growth.