This week we hand the blog over to internationally-acclaimed VJ Spetto, founder of United VJs, who reflects on life before and after a pandemic, with a candid look at the downsides and (unexpected) upsides of life in lockdown.
Additive color mixing, Newton's Theory of Color, subtractive mixing, CMY fixtures… Las Vegas-based lighting designer and technical manager Michael Cassera examines the theory behind color and light.
Sound engineer Arica Rust takes a look at some of the challenges in the world of live audio and discusses the value of a scientific approach to system optimization to create the ultimate sound experience.
During this difficult time due to the coronavirus outbreak, many people are turning to podcasts in order to find alternative forms of entertainment. In this blog, regular broadcaster and audio tech aficionado, Nevil Bounds, explains why it has never been easier to create your own podcast and on an economical scale.
As a media server operator and content manager, John Mims, J3Consulting.org, is the go-to guy for leading producers and brands in the US. In this blog, he looks at the role of the operator, and offers practical advice to ensure your next show runs even more smoothly.
Have you been there? Done an event that starts at 6 am but doesn’t end until 3 or 4 am. Afterward, you go home, get some sleep, but you still have to get up at a reasonable time to function that day? Then you wake up feeling like you spent the night drinking way too much?
I call this the event hangover. It’s close to the same feeling as a hangover, but you missed the entire section of the night that was enjoying a few drinks and hanging out with friends. There’s the headache, body aches, your feet hurt, and you don’t exactly remember what time you got home. Does any of this sound familiar?
As I do more and more shows each month with hours like this, I strive to avoid the event hangover as much as I can. Here are the tips and tricks I have found that help me avoid feeling terrible after a long event.
By Heather Holm writing for SoundGirls.org
Working in different countries among different cultures can be hard. Yet many in the entertainment industry dive in and end up touring shows, creating events and/or relocating to foreign countries to work as performers, technicians or managers. Anna Robb at TheatreArtLife lists some of her tips to alleviate cross-cultural challenges.
As a freelance AV pro, you’re busy every day, getting the job done. You’re proud when your audience and clients are happy with the end result. And, hopefully, you get a few spare hours for activities other than work.
But have you ever set aside time to prepare for those days – or months – when there aren’t so many projects to throw yourself into, or when your age starts nudging higher figures? Or will you be pushing 60 and, whoops, you forgot to save for a pension, and now it’s too late…?
Don't panic. Here are 10 tips on preparing yourself for a better position in the future.
Ok, well, you failed the first test. There’s no such thing as a get-rich-quick scheme gone right, and the internet savagely preys on poor, unsuspecting dreamers to feed their click-bait web of lies. Don’t do it! Scroll away….scroll away!! While I cannot provide you with riches and stardom (please see my stack of student loan debt for details), I can provide some insight on building a recognizable name for yourself in this industry. Remember that everything takes time, and everything takes continued effort, but Future You will thank Past You if the Present You puts in the work.
We know we have to get better at living sustainably, but maintaining a greener lifestyle when you are on tour or travelling between contract jobs – as is common in live entertainment, theatre and AV industries – can be a challenge. Anna Robb at TheatreArtLife lists some of her tips for those on the move.