Have you been there? Done an event that starts at 6 am but doesn’t end until 3 or 4 am. Afterward, you go home, get some sleep, but you still have to get up at a reasonable time to function that day? Then you wake up feeling like you spent the night drinking way too much?

I call this the event hangover. It’s close to the same feeling as a hangover, but you missed the entire section of the night that was enjoying a few drinks and hanging out with friends.  There’s the headache, body aches, your feet hurt, and you don’t exactly remember what time you got home. Does any of this sound familiar?

As I do more and more shows each month with hours like this, I strive to avoid the event hangover as much as I can. Here are the tips and tricks I have found that help me avoid feeling terrible after a long event.

By Heather Holm writing for SoundGirls.org

This week Nevil Bounds talks to David Willrich, founder of DJW, and a well-known figure in the UK (and international) AV industry. DJW started out in 1986 as a consultancy business focused on museums and visitor parks. Today, the company’s portfolio includes hotels, museums, visitor parks and attractions. Recent DJW projects include the Museum of the Gateway Arch in St Louis, USA; the Qasr Al Hosn Fort in Abu Dhabi (pictured above) and the Strawberry Field Exhibition in Liverpool, UK. DJW also provided the award-winning immersive experiences at the iconic Titanic Belfast experience center in Northern Ireland.

Let's start by rewinding to 1985, when David Willrich was the AV manager at the UK’s National Motor Museum in Beaulieu, Hampshire, a pioneer in the attractions industry…

Are you thinking about becoming a professional media server operator or user, but aren't sure which skills you need? In the sixth blog in the series, we will dig into the world of displays!

These posts are based on recommendations from the fine people of the Media Server Professionals (Facebook) group.

Are you thinking about becoming a professional media server operator or user, but aren't sure which skills you need? This is blog number five in the series, and this time we're shining a light on 3D files, formats and projection mapping

These posts are based on recommendations from the fine people of the Media Server Professionals (Facebook) group.

Working in different countries among different cultures can be hard. Yet many in the entertainment industry dive in and end up touring shows, creating events and/or relocating to foreign countries to work as performers, technicians or managers. Anna Robb at TheatreArtLife lists some of her tips to alleviate cross-cultural challenges.

Are you thinking about becoming a professional media server operator or user, but aren't sure which skills you need? In the fourth instalment of this guide, we continue to explore content for media playback with a look at still-image formats. From compressed/lossy image formats to uncompressed/lossless formats to the age-old question, when do you need uncompressed?

As always, the content is based on recommendations from the fine people of the Media Server Professionals (Facebook) group.

From extended reality to interactive technologies, immersive experiences have taken over the live entertainment industry. Using technology as a medium and art as technology, these experiences encapsulate modern expression while pushing the boundaries of our imagination, writes Andrew Gordon, automtd andrew. 

Have you considered becoming a professional media server operator or user? Unsure of what technical skills you need? This is blog number three in our series on media server pros, and this time we’re digging further into the details of media server content (yes, video) for playback in media servers, based on recommendations from the fine people of the Media Server Professionals (Facebook) group.

Let’s pick up from where we finished in the last post!

Are you thinking about becoming a professional media server operator or user, but aren't sure which skills you need? I asked this as an open question to a Facebook group of Media Server Professionals, and the response was overwhelming. This is the second in a series of blogs inspired by their valuable recommendations on traits, tools, media server approach, content and technologies to know, with my own experience thrown into the pot, too. Keep an eye out for a full-blown eBook on the subject later on!

“Dear fellow Media Server Professionals, I am writing an article about things you should know or learn as a fresh media server operator. Like a small best-practice guide, both on soft skills and hardware to know.  

I would highly appreciate your input on this. What would an experienced professional like yourself say to a newbie?”

This second blog looks at media server philosophy and hones in on audio and video. Let's get going… 

Have you considered becoming a professional media server operator or user, but aren't sure which skills you need? After meeting with many keen students and fledgeling operators over the years at trade shows and in the classroom, I posed the question below to a Facebook group of Media Server Professionals and asked for their thoughts on the matter. This article is the first of two, presenting their valuable recommendations.

“Dear fellow Media Server Professionals, I am writing an article about things you should know or learn as a fresh media server operator. Like a small best-practice guide, both on soft skills and hardware to know.  

I would highly appreciate your input on this. What would an experienced professional like yourself say to a newbie?”

I was not surprised by the level of helpfulness in the media server community, but I was admittedly amazed by the sheer volume of responses. 

Here's an overview of what I will cover in this article. In a later post, I will tackle the technical stuff. And, because the feedback was so overwhelming and many topics deserve more than a few short sentences, don’t be surprised if there’s a more comprehensive eBook on the subject available at a later date!